Full AI production
Commercials, product films and live-action style scenes made end to end with AI. Every project starts in previz, so each shot is directed, not left to chance.
Commercials · Product films · Live-action scenes · Social series
What we do
Three ways to crack a brief.
Any genre, any format. We are especially at home in food, drink and beauty.
Hybrid production
We shoot the parts that matter for real: products, actors, their emotions and movement, camera moves, textures, real food. Then AI extends the set, changes the world or recasts the actor while keeping the performance.
Any genre · Set extension · Actor replacement · Real camera moves
For studios & teams
Previz, pitch films and AI shots for production houses and agencies, plus internal materials for brand teams: whatever the project needs. White-label on request.
Blender previz · Pitch & mood films · Internal content
Latest work
Want to see more? Ask us →
Fresh out of the pan.
[Flagship project — 16:9 loop]
[Project loop]
[Project loop]
Under the shell
From Blender to final frame.
Our AI shots start as 3D scenes. Composition, lens and timing get approved in previz, before anything is generated. That is why our frames hold together across a whole film. Drag the line to compare.
[Final shot]
Final
[Blender viewport — same shot]
Blender previz · CAM_A · 35 mm
- 01BlockoutSet, product and characters built as simple shapes in Blender. Composition and timing get approved here.
- 02Camera lockLens, camera height and move are fixed in 3D, so every generated shot follows the camera you approved.
- 03GenerateThe model adds light, texture and detail on top of the approved previz. It does not get to decide the composition.
- 04FinishCompositing, grade, sound and cutdowns for every format you need, delivered as one tidy package.
Hybrid
Shoot what matters.
Shoot what matters.
Build the rest.
Some things are worth capturing for real: a performance, a camera move, a product, a texture. We shoot them on set, then use AI to take them anywhere. It works for any kind of project, from tabletop to live action.
[Same walk, new world built with AI]
AI world
[Model walking on grey studio background]
On set · real camera move
On set
What we shoot for real
- Real products and packaging
- Actors, their emotions and movement
- Camera moves, blocking and action
- Textures, liquids and real food
With AI
What we build around it
- Set extensions and whole new worlds
- A different actor, keeping the original performance, body movement and camera move
- New seasons, markets and formats from one shoot
Custom models · for long-term partners
Your brand,
Your brand,
trained in.
For brands we work with over time, we train a model on your own visual material. Every new campaign starts on-brand from the first frame, and you always know exactly what your content is built on.
- 01Your libraryWe train on your own image library. No library yet? We build one for you from new shoots and approved material.
- 02Your lookWe define the style together with your art director or marketing team, and lock it in.
- 03Your modelA model tuned to your brand and used only for your work. Content stays consistent across campaigns, seasons and markets.
- 04Full recordEvery training image is documented, so you always know what your content is based on. Useful for your legal team, too.
For studios, agencies & brand teams
Your name on it. Our pipeline behind it.
We plug into your production at any stage, or make whatever your team needs in-house. White-label on request: we stay off the credits and out of the client room unless you want us there.
- PitchPreviz and mood films that win the jobShow the client the film before it exists: Blender previz, AI mood films and key frames in days.
- ProductionAI shots inside your live-action jobSet extensions, impossible product moments and shots that are too expensive to build for real.
- VersionsCutdowns, formats and local variantsNew backgrounds, seasons and markets from one shoot, without going back on set.
- In-houseInternal materials for brand teamsPresentations, training films, product visuals and internal campaigns, made to whatever your team needs.
Good questions.
Do I need a real shoot?
No. Many projects are fully AI. We suggest a hybrid shoot only where it makes the result better, for example a real camera move, a performance or a product that has to be exact.
Who owns the final work?
Usage rights are set per project in the contract, as on any production. We document the tools and source material behind every shot, so your legal team has a clear record.
How long does a project take?
It depends on scope. Because approvals happen at previz, there are far fewer rounds once generation starts. Every quote comes with a schedule.
Can you keep a product or character consistent?
Yes. Locked 3D cameras and reference plates keep every shot on-model. For long-term partners, a custom model trained on your own material takes it further.
Can you replace an actor?
Yes. We film the performance for real, then change the person while keeping the emotion, body movement and camera move. We only do this with consent from everyone involved and the rights cleared in the contract.
Which tools do you use?
Blender for previz, current generation models for image and video, plus standard compositing and grading tools. We choose per project.
Do you work with clients abroad?
Yes. We work remotely with brands, agencies and production houses across Asia and Europe, in English.
Contact
Got a brief?
Got a brief?
Let's crack it.
Send us what you need, a deadline and a rough budget, and we reply with a plan and a previz approach, usually within two working days. Prefer to talk first? Book a 20-minute call.